|
Features CBM1
Omni Directional Boundary Microphone |
|
Features: |
Additional Benefits For Boundary Microphones: Size, pickup
pattern, unvarying response to changing sound sources are some
of the benefits of CBM microphone technology. The CBM1 housing
allows these microphones to be easily placed on table tops,
under pianos, on the floor, or on lecterns. They can also be
suspended out of the line of vision or placed below it. |
|
Freedom of Movement:
By making use of boundary microphones, performers,
instrumentalists or vocalists have greater freedom of movement.
They are not confined to a limited microphone range, and only
extreme changes in distance will markedly effect sound quality. |
|
Distortion Free at High SPLS:
The Gold Line CBM1 boundary microphone is designed to be
virtually immune to distortion at very high SPL levels (150dB
SPL). Even the loudest and most dynamic instruments such as kick
drums and pianos can be faithfully captured by the CBM1 and a
single CBM1 can also be used to reproduce the sounds of several
grouped instruments such as percussion and brass sections. |
|
Applications: |
Theater
and Video Production:
The CBM1 microphone is an excellent choice for placement at the
front of any theater or video production set. It is unobtrusive,
even if placed in view of the audience and it will pick up all
of the dialogue and action for soundtrack or entrance cueing. It
Is also ideal for the smaller, more restricted spaces in theater
or video sets. For example in automobiles, trucks or van
interior, train and plane passenger compartments or tunnels. |
|
Sound Reinforcement on the Set:
The CBM1 microphone is well suited to replace boom microphones
on the set when the boom microphones are too obvious.
Concealment behind columns, under shelves or tables, behind
draperies or beneath overhangs represent just a few of the
possibilities. Virtually any prop or part of the machinery will
serve as visual shield for the CBM1. |
|
Reinforcing the Sound Stage:
The CBM1 microphone is excellent for reinforcing the sound
stage. The most common manner of placement is positioning
several boundary microphones across the front of the performer's
stage. This placement technique has been used very successfully
in theaters, churches, and opera houses, and the results have
been first rate. |
|
Church
Applications:
The CBM1 microphone is excellent on altars, from pulpits, and in
the choir loft. It is also useful in instructional halls or
conference rooms and perfect for any church application where
the speaker requires freedom of movement. |
|
|